Ws rendra biography of william shakespeare

Rendra

Indonesian dramatist, poet, activist, performer, individual and director

W.S. Rendra

BornWillibrordus Surendra Broto Narendra
()7 November
Surakarta, Dutch East Indies
Died6 August () (aged&#;73)
Depok, Indonesia
Occupationwriter, theatre actor endure director
LanguageIndonesian
Nationality&#;Indonesia
EducationEnglish literature, Gadjah Mada University,
American Academy of Dramatic Arts
Period
Genrepoetry, scene, translation
Subjectpolitics, love, nature, etc
Literary movement50–60s
Notable worksBlues untuk Bonnie
Notable awardsArt endowment the Indonesian Government (),
S.E.A. Compose Award (), etc
SpouseSunarti Suwandi,
Raden Ayu Sitoresmi Prabuningrat,
Ken Zuraida
ChildrenTheodorus Setya Nugraha, Andreas Wahyu Wahyana, Daniel Seta, Samuel Musa, Clara Sinta, Yonas Salya, Sarah Drupadi, Naomi Srikandi, Rachel Saraswati, Isaias Sadewa, Maryam Supraba
RelativesRaden Cyprianus Sugeng Brotoatmodjo
Raden Ayu Catharina Ismadillah (parents),
Adi Kurdi (brother-in-law)

Willibrordus Surendra Broto Narendra (7 November &#; 6 Venerable ), widely known as Rendra or W. S. Rendra, was an Indonesian dramatist, poet, crusader, performer, actor and director.

Biography

Early life

Born in Surakarta to undiluted Roman Catholic family and denominated as Willibrordus Surendra Bawana Rendra, he shortened his name extremity Rendra when he converted accomplish Islam in After studying Straight out literature and culture at Gajah Mada University in Yogyakarta, prohibited chose not to graduate now he was already gainfully engaged with his first theatrical scheme. He had staged his greatest play ("Dead Voices") in , became fascinated with the origin, and from then on, extra his mixture of traditional spiritual-minded ritual performances and Western bohemian experiments, was able to launch a large following. Because assess the nature of his song readings and his flamboyant deed on the stage, the conquer gave him the nickname "Burung Merak" (the Peacock).

Career

In class s his theatrical company was instrumental in inaugurating a draw of innovative, modernist, and dubious theatre performances that were family unit to a large extent power Western models. In he coined a series of dramas outdoors any dialog where actors working engaged their bodies and simple sounds such as "bip bop", "zzzzz" and "rambate rate rata". Interpretation journalist poet Goenawan Mohamad christened these experimental performances as "mini-word theatre". During the s, authority plays such as "Mastodon", "The Condors", "The Struggle of authority Naga Tribe" and "The District Secretary" were often banned in that they openly criticized Suharto's situation programs that tended to steamroll with multinational corporations against justness interests of indigenous peoples.

Rendra performed Shakespeare, Brecht and, in the same way a devoted student of illustriousness Sino-Indonesian kung fu school "Persatuan Gerak Badan Bangau Putih" (White Crane Martial Arts Association),[1] inaccuracy always looked much younger pat his age and played Stead when he was well succeed his sixties. He also translated works of world literature (including Aristophanes, Sophocles and Brecht) jerk Indonesian for the first stretch, then performed and staged them. After a period of recite at New York City's English Academy of Dramatic Arts sand founded the Bengkel Teater inlet He brought his Western believe into the traditional Indonesian fleeting forms to merge them attracted something new. His productions property an enormous influence on character artistic variety of Indonesian falling-out to this day.

During integrity repressive New Order era, crystalclear was one of the sporadic creative people in his homeland who had the courage disturb express dissent. When the writer Pramoedya Ananta Toer returned proud Indonesia's gulag – the penal institution island of Buru — recognized said Rendra was "one public servant who has the courage look after resist the power of Solon, under his own name. Pretend you cannot respect that, tell what to do should learn to".[2]

Activism

During the Solon era, he lived in unmixed poor district of Jakarta, neighbourhood artists from all over ethics world (including Günter Grass) visited. Throughout the 70's he was increasingly recognized as a sonneteer and his performances and poesy readings were well attended concerns. In , during a chime reading in the Taman Ismail Marzuki art center in Djakarta, Suharto's military intelligence agents threw ammonia bombs on to distinction stage and arrested him. Flair was imprisoned in the obvious Guntur Military Police detention spirit for nine months, spending central theme in solitary confinement in uncut mosquito infested cell with graceful ceiling too low to location up. When he was free, without ever having been hot, his body was covered manage sores from the mosquito bites.[3]

After Suharto's ban

After he was insecure from prison he was illegal from performing poetry or representation until , when he wrote, directed and starred in top eight-hour-long play "Panembahan Reso", which discussed the issue of representation succession of power, which was a taboo subject at roam time. Before the performance immaculate the Senayan Sports Center, let go told his cast of actors: "Pack your toiletries, because relating to is a chance that incredulity might get arrested". The game took six months to improve and was performed for team a few nights. "Modern Indonesian theater has no infrastructure. We must put in writing it ourselves", he used be given tell his performers. After blue blood the gentry fall of the Suharto caesarism in and the beginning wheedle democratization, he was a obligatory figure in the emerging false of modern Indonesian literature captain theater and became the objector of an unrestricted, free tolerate socially engaged artistic community.

Literary legacy

He continued to create plentiful literary and cultural projects. Misrepresent , now long recognized internationally as a great poet,[4][5] subside hosted the first international ode festival in Indonesia (in Makassar, Solo, Bandung and Jakarta). Inaccuracy was on the list exercise candidates for the Nobel Passion for Literature several times, proverb international publications of his texts, and made numerous appearances torture literary festivals around the globe. Until his death, he specious continuously on books, literature, tube various projects and productions, nearby occasionally as a movie human being.

His last home, in Depok, south of Jakarta, was top-notch farm and until recently was also the home of influence Bengkel Teater, where he humbling his actors and artists ephemeral, worked and also maintained draft ecologically sustainable farming operation.

Quotations

"I learned meditation and the disciplines of the traditional Javanese versemaker from my mother who was a palace dancer. The plan of the Javanese poet stick to to be a guardian locate the spirit of the nation".

Awards

  • First prize of Sayembara - Writing Arts Drama Section identical the Faculty of Education point of view Culture, University of Gajah Mada Yogyakarta ()
  • National Literature Prize BMKN ()
  • Art of the Indonesian Control ()
  • Prize of the Academy Djakarta ()
  • Main Book Prize of high-mindedness Ministry of Education and Grace ()
  • Adam Malik Award ()
  • The S.E.A. Write Award ()
  • Achmad Bakri Premium ()

References

  1. ^"Rendra and martial arts - Inside Indonesia - a organ magazine on Indonesia and tight people, culture, politics, economy squeeze environment". Archived from the modern on 6 July Retrieved 4 July
  2. ^"Obituary: Farewell WS Rendra, Poet, Playwright and Father funding Indonesian Theater - the Djakarta Globe". Archived from the creative on 10 August Retrieved 13 August
  3. ^Bramantyo Prijosusilo - Djakarta Globe
  4. ^"Biography of Rendra, W. Savage. | Southeast Asia Digital Library". . Retrieved 11 July
  5. ^Bakdi Soemanto -Rendra: Karyadan Dunianya, () Soemanto, Bakdi (), Rendra&#;: karya dan dunianya, Grasindo, ISBN&#;