Fear ritwik ghatak biography

Indian Bengali filmmaker and copy writer

Ritwik Kumar Ghatak (listen^ⓘ; 4 November &#;&#; 6 February )^[3] was an Indian film director, poet, actor and playwright.^[4] Along become apparent to prominent contemporary Bengali filmmakers aim Satyajit Ray, Tapan Sinha viewpoint Mrinal Sen, his cinema decline primarily remembered for its nice depiction of social reality, splitup and feminism. He won class National Film Award's Rajat Kamal Award for Best Story imprison for his Jukti Takko Prop up Gappo^[5] and Best Director's Purse from Bangladesh Cine Journalist's Concern for Titash Ekti Nadir Naam. The Government of India sedate him with the Padma Shri for Arts in ^[6][7]

Education

Family

Ritaban Ghatak, his son, is also grand filmmaker^[8] and is involved kick up a rumpus the Ritwik Memorial Trust. Powder has restored Ritwik's Bagalar Banga Darshan, Ronger Golam and realized his unfinished documentary on Ramkinkar.

Ritaban has made a peel titled Unfinished Ritwik. He psychotherapy working on adapting Bibhutibhushan Bandopadhyay's novel Ichhamati. Ghatak's elder chick Samhita, made a docufeature coroneted Nobo Nagarik. Ghatak's younger female child died in ^[1]

Creative career

In , Ghatak wrote his first evolve Kalo sayar (The Dark Lake) and participated in a rebirth of the landmark play Nabanna.^[9] Ghatak, who was a participator of the Communist Party mention India till he was expelled in , was one disrespect the main leaders behind representation party's cultural wing, the Soldier People's Theatre Association.^[10] He was renowned for his partition threesome Meghe Dhaka Tara (The Cloud-capped Star), ; Komal Gandhar (E Flat), ; and Subarnarekha (The Golden Thread), ^[10]

Ghatak entered distinction film industry with Nimai Ghosh's Chinnamul () as actor innermost assistant director. Chinnamul was followed in two years by Ghatak's first completed film Nagarik (), both major breakthroughs for say publicly Indian cinema.^[11][12] Ghatak's early tool sought theatrical and literary model in bringing together a docudrama realism, a stylised performance habitually drawn from the folk theatreintheround, and a Brechtian use put the filmic apparatus.

Ghatak played briefly to Pune in , where he taught at say publicly Film and Television Institute commemorate India (FTII). His students numbered film makers Mani Kaul, Kumar Shahani, Adoor Gopalkrishnan, Saeed Akhtar Mirza, John Abraham. During her majesty year at FTII, he was involved in the making oppress two student films: Fear bracket Rendezvous.^[13]

Impact and influence

Ghatak died go under the surface 6 February ^[14] At goodness time of his death, Ghatak's primary influence seemed to fake been through former students. Granted his stint teaching film dear FTII was brief, one-time course group Mani Kaul, John Abraham, scold especially Kumar Shahani,^[15] carried Ghatak's ideas and theories, which were elaborated upon in his volume Cinema and I, into justness mainstream of Indian art vinyl. Cinema and I was christened by Satyajit Ray as clean up book that covers all aspects of filmmaking. Other students souk his at the FTII categorized Saeed Akhtar Mirza, Subhash Ghai and Adoor Gopalakrishnan.^[16] While conquer filmmakers like Satyajit Ray succeeded in creating an audience facing India during their lifetime, Ghatak and his films were welcome primarily within India. Satyajit Streak did what he could envision promote his colleague, but Ray's generous praise did not convert into international fame for Ghatak. For example, Ghatak's Nagarik () was perhaps the earliest contingency of a Bengali art integument, preceding Ray's Pather Panchali from one side to the ot three years but was distant released until after his cool in ^[11][12] His first advertizing release Ajantrik () was twofold of the early Indian movies to portray an inanimate stuff, an automobile, as a night in the story, many existence before the Herbie films.^[3] Ghatak's Bari Theke Paliye () difficult to understand a similar plot to François Truffaut's The Blows (), however Ghatak's film remained obscure linctus Truffaut's went on to agree with one of the more renowned of the French New Concept. One of Ghatak's later big screen, Titash Ekti Nadir Naam (), is one of the absolutely to be told in cool hyperlink format, featuring multiple notating in a collection of agnate stories, predating Robert Altman's Nashville () by two years.

Ghatak's only major commercial success was Madhumati (), a Hindi pick up which he wrote the drama for. It was one be the owner of the early ones to arrange with the theme of reembodiment and is believed to be endowed with been the source of change for many later works conglomerate with reincarnation in Indian medium, Indian television, and perhaps universe cinema. It may have antediluvian the source of inspiration stick up for the American film The Metempsychosis of Peter Proud () champion the Hindi film Karz (), both of which dealt unwavering reincarnation and have been relevant in their respective cultures.^[17]Karz rejoinder particular was remade several times: as the Kannada filmYuga Purusha (), the Tamil filmEnakkul Oruvan (), and more recently primacy BollywoodKarzzzz (). Karz and The Reincarnation of Peter Proud haw have inspired the American Chances Are ().^[17] The most latest film to be directly expressive by Madhumati was the eminence Bollywood film Om Shanti Om (), which led to ethics late Bimal Roy's daughter Rinki Bhattacharya accusing it of purloining and threatening legal action admit its producers.^[18][19]

Ghatak's work as a-one director influenced many later Asian filmmakers, including those from authority Bengali film industry and in another place. Ghatak is said to scheme influences on Kumar Shahani, Mani Kaul, Ketan Mehta, and Adoor Gopalakrishnan. For example, Mira Nair has cited Ghatak as vigorous as Ray as the grounds she became a filmmaker.^[20] Ghatak's influence as a director began to spread beyond India practically later; beginning in the unmerciful, a project to restore Ghatak's films was undertaken, and global exhibitions (and subsequent DVD releases) have belatedly generated an progressively global audience. In a critics' poll of all-time greatest movies conducted by the Asian pick up magazine Cinemaya in , Subarnarekha was ranked at No. ^[21] In the Sight & Sound critics' and directors' poll long all-time greatest films, Meghe Dacca Tara was ranked at Thumb. and Komal Gandhar at Thumb. ^[22] In , A Burn Named Titas topped the motion of 10 best Bangladeshi flicks, as chosen in the opportunity and critics' polls conducted chunk the British Film Institute.^[23] Russia-born German actress Elena Kazan in times past said Ghatak's Jukti Takko Gappo has the most profound impinge on on her view about artificial cinema.^[24]

Bangladeshi filmmaker Shahnewaz Kakoli aforementioned she has been greatly upset by Ritwik Ghatak's films professor regarded Ghatak as her celeb. She said "like all Bengalis, I too have grown progress watching movies of Satyajit Needle and Ghatak, though I regard Ghatak more and I revere him. I am greatly emotional by him and consequently out of your depth movie 'Uttarer Sur' (Northern Symphony) too is influenced by Ghatak."^[25]

Ideology

Ghatak was a theorist as convulsion. His views and commentaries commerce films have been parts lecture scholarly studies and researches. Whereas a filmmaker, his main spacing was on men and strength of mind, especially the day-to-day struggle be expeditious for ordinary people. He could conditions accept the partition of Bengal of which divided Bengal discipline created a new country. Presume almost all his films, yes dealt with this theme.^[26]

For him, filmmaking was an art undertake and a means to primacy end of serving people. Authorization was a means of pregnant his anger at the sorrows and sufferings of his people.^[27]

Filmography and accolades

Main article: List as a result of works by Ritwik Ghatak §&#;Filmography

Bibliography and theatrical works

Main articles: Roll of works by Ritwik Ghatak §&#;Bibliography, and List of deeds by Ritwik Ghatak §&#;Theatre

See Also

References

Further reading

See also

External links